Identity and dress sense

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    Why do some men choose to wear women’s clothing? I can think of three main reasons and one less obvious reason. Only one of these applies to me.

    Some men choose to wear women’s clothes because they like the clothes themselves. It may be the feel of the fabric and the way it is cut. Their dressing may arouse sensual or erotic pleasure. For them, it is not about gender. They still identify as male. It’s about how they present. The terms generally used are transvestite and cross-dresser. I am not one of these. Although the clothes are very important – as I will explain later.

    Some men use women’s clothing and makeup in an extreme way to create an exaggerated sense of femaleness for entertainment purposes. These are drag queens. Typically gay, and part of gay culture. I have seen a number of these on Canal Street in Manchester, singing and doing stand-up in pubs. I am not one of these. It’s partly because of my orientation. To use a cliché, a football manager may sometimes describe himself as giving 110% for the team. Well, I am less than 0% gay. I don’t really get men as concept. My favourite men – the ones I’m closest too – are those in whom I perceive a generous internal femaleness even if this is not significant to them. Also, drag as an entertainment form does nothing for me. I would much rather see a female artiste perform. This was always the case back in the day with burlesque and cabaret. Where are you now, Sally Bowles? Where are you now, Dita von Teese?

    Some men – and numerically this must be the smallest category – use women’s clothes as a means of hiding or escaping a difficult situation. Here are some examples.

    • The young Achilles was dressed as a woman by his mother Thetis in order to prevent him taking part in the Trojan war. He was disguised as a princess at the court of Lycomedes, King of Skyros. His essential maleness betrayed him when Odysseus, disguised as a street trader, offered him a selection of women’s clothes and jewellery together with a spear and a shield. He went for the spear straightaway.

    • In The Merry Wives of Windsor – now there’s a play written for a franchise if ever I saw one – Falstaff visits Mistress Ford, but is warned of the impending arrival of her jealous husband (for some reason known only as Ford rather than Mr Ford). Mistress Ford and her friend Mistress Page disguise Falstaff as an old woman to enable him to escape. However, Ford – believing this to the ‘Fat woman of Brentford’, whom he hates – gives Falstaff a beating anyway.

    • Charles Edward Stuart, aka the Young Pretender and Bonnie Prince Charlie, led the Jacobite rising to restore the Stuart monarchy. After his final defeat at the Battle of Culloden in 1746, he evaded capture by government forces when he took a boat ‘over the sea to Skye,’ aided by his friend Flora McDonald who disguised him as her maid Betty Burke.

    • In the 1959 American comedy film Some Like It Hot, Tony Curtis and Jack Lemmon see Mafia mobsters commit a crime and escape by disguising themselves as women. Musicians by trade, they join Sweet Sue and her Society Syncopaters, an all-female band travelling by train to Miami. They fall in love with the lead singer, Sugar Kane, played by Marilyn Monroe.

    I am not one of these either, although I do admire the disguised men with the obvious exception of the lecher Falstaff.

    The final category is men who dress as women because they identify as female. This is me. Previously in an undercurrent, now overwhelmingly in an ocean wave that breaks upon the shore in endless repetition. There were times when I would see a beautiful well-dressed woman in the street, and I would want to be like her, or even be her. Or when I saw a woman expertly and quickly touch up her makeup on a train. Or when I saw a young couple in a niche clothing store, and the woman said to the man, Now, what shall I dress you as? On these occasions I experienced a sense of inner melting and dissolving, as I identified with the other so completely.

    For me, dressing in women’s clothing is an essential expression of femaleness. If I had been born a woman I could have got away with jeans and a sweatshirt and flats. My accrued female experiences, supported by my body shape, would have seen me through. But I was not so fortunate. I have to emphasise my femaleness in the way I dress. My chosen outlet is black, with heels and pearls. And I have to look as beautiful as I can make myself. This is not to please men (I shudder when I think of that) or to conform to a gender stereotype. It is fundamentally who I am.

    I find that if I had to spend a long time in boy mode – for example on an extended weekend on a family trip to a European city, let’s call it Berlin – then my sense of femaleness starts to fade a little and I am in danger of wondering if it was all a dream. But I am now too far gone for that to be a real threat.

    Conversely, when I am dressed as Ariane, and particularly when I am out in public, I feel whole, complete, fully human, fully myself. It is so wonderful that words are hard to find. 
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